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The Boston Symphony Chamber Players' new album, Profanes et Sacrées: 20th-Century French Chamber Music, features recordings of Ravel's Introduction and Allegro for harp, accompanied by string quartet, flute, and clarinet; Henri Tomasi's Cinq Danses profanes et sacrées; Henri Dutilleux's Les Citations, for oboe, percussion, harpsichord, and double bass; Debussy's Sonata for flute, viola, and harp; and Jean Françaix's Dixtuor, for wind quintet and string quintet.

This new recording tracks the creative evolution of Mozart through a series of five influential symphonies.

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From 1964 to 1968, during their first four seasons, the original membership of the Boston Symphony Chamber Players made a series of historic recordings for RCA, including works central to the chamber music repertoire, as well as music by some of the day's leading composers.

The Boston Symphony Orchestra and Andris Nelsons are very pleased to announce their first compact disc recording, a BSO Classics release pairing the overture to Wagner’s Tannhäuser and the Symphony No. Both works are taken from concert performances earlier this season at Symphony Hall—the Wagner from Maestro Nelsons’ inaugural concert as music director on September 27, 2014, the Sibelius from his BSO program of November 6-11.

10—Andris Nelsons and the BSO are heard in live performances of Dmitri Shostakovich's popular, pre-war Fifth Symphony, the darkly compelling mid-war Eighth, and the elusive, post-victory Symphony No.

9, plus excerpts from Shostakovich's incidental music for a farcical 1932 Moscow production of "Hamlet." In their inaugural release on Deutsche Grammophon, the Boston Symphony Orchestra and its Music Director Andris Nelsons are heard in live performances of Dmitri Shostakovich’s Symphony No.

The Boston Symphony Orchestra is once again on top form, as testified by a rapturous Sanders Theatre audience.

Andris Nelsons has never 'done' indifference: as a child he practised the trumpet until his lips bled; as a youth he studied singing and learned taekwondo; he became an orchestral trumpet player and at 24 was appointed the General Music Director of the Latvian National Opera in Riga.

German repertoire, and Mendelssohn in particular, featured prominently in the concert programs of Charles Munch during his period as BSO Music Director, even though his unparalleled fame was in the French tradition.

These recordings of the 4th and 5th symphonies from the late 1950's are brilliantly executed and full of wonderful nuances, notably of balance and shading.

10 and the Passacaglia from his opera "Lady Macbeth of Mtsensk." For the first time, all of Maestro Charles Munch 's RCA Victor recordings with the Boston Symphony Orchestra are available in one comprehensive 86-CD box set!

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