The slave is repeatedly threatened with their life, if they do not perform perfectly. She is extremely domineering, believing herself to be the ‘true’ personality rather than Tara and wanting permanent control of the body.
– The Illuminati Formula to Create An Undetectable Total Mind Control Slave (Springmeier & Wheeler, 1996, pp. When Charmaine and Tara travel out of town to meet Mimi, it is instantaneously obvious that Alice was based on her.
[…] The Programmers have been heard to program their slaves, “Don’t be a hustler and don’t pick up strays.” The programmers must now ‘‘groom’’ these alters. Though Tara’s personalities re-emerge when she chooses to go off her medication, Diablo Cody, one of the show’s producers, has stated that Tara isn’t being irresponsible by not taking the medication, but rather “wants a chance to try living with her condition, instead of smothering it with drugs” because it is “clear …
[…] Females (and some males) need to learn how to appear and act seductive. They understand that there is a spectrum of female sexuality, where on one end of the spectrum females guard their bodies with their minds, and on the other end they guard their emotions with their bodies. that she is not receiving proper treatment for her dissociative identity disorder” (Monarch Programming).
Monarch Programming is a method of hard mind control used by numerous organizations for covert purposes. Steven Tyler United States of Tara is an American television comedy-drama created by Diablo Cody, which began airing on Showtime in 2009.
It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The series follows the life of Tara (Toni Collette), a suburban housewife and mother coping with dissociative identity disorder (Monarch Programming).
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The primitive part of the brain is involved in this type of programming. The show is a representation of a seemingly typical American family who must cope with the daily struggles of Dissociative Identity Disorder (Monarch Programming).
An early sexual abuse event will be used to anchor this programming. Source Tara Gregson (née Craine) is a wife and mother who works as a mural painter.
These sexual slaves will develop sexual abilities that are far beyond what the public is aware is even possible. The torture and sexual abuse eventually becomes gratifying to the mind. At any rate, the programmers are trying to get a type of nymphomaniac. The sexual alters have no feelings attached to what they do, and their masters never allow them to enjoy sex. She loves her family and often feels guilty for the unconventional life they lead due to her DID.
They also receive the worst kind of abuse far beyond what most people’s imagination can picture. They are not to have climaxes, although they may be coached how to fake it. Tara is only somewhat co-conscious with the alter-egos in her system: she has no recollection of anything they do when they are out, but they know all about what she does.
266-267) The Dark Occultists who run the entertainment industry utilize fashion as a means of occult communication to others ‘in the know’, indicating through symbolism, the individuals they have under their control as literal ‘sex slaves’. Buck is a loud and profane troublemaker, characterized by Collette as “the aggressive protector type, a man’s man”. She is provocative in her mannerisms and style of dress.